hip hop culture

My Favorite Albums of 2014


Yup. Try not to wet your little Hip Hop panties too much.  It’s that time of the year again.  I usually do a year in review by just posting a bunch of shit I liked from this year since making a list and weeding out albums is like picking your favorite child to me.  But I also got some requests to put it on the blog sooooo here you go my little Hip Hop heads… My present to you.

Now, lets get this one thing straight.  This is NOT, I repeat, NOT a ranking list or top anything.  All albums are listed at random.  This is simply the albums I’ve enjoyed this year.  So before you ask me “What about ____?”  Well, I didn’t care too much about it enough to put it on here. So yeah.  Lets do this shit…

Heavy Links – “Natural Disasters”
Heavy Links is a three man team coming from the UK consisting of Habitat (MC), El Tel The Dopeness (MC) & Donnie Poppa (DJ). HL came correct with their sounds on their 2014 release. Even if you don’t care for UK Hip Hop, you can still enjoy this.  Free download HERE

Mindsone & Kev Brown – “Pillars”
The reunion of these three didn’t disappoint heads this year. Legendary producer Kev Brown & dynamic emcees Tronic & KonSci gave us a solid release this year. To that salute and support HERE.

Royce Da 5’9 & DJ Premier PRhyme – “PRhyme”
I really wanted to hate this. Ask favorite person ever @HipHop_Essentials. I really wanted to talk shit about this after seeing the tracklist. But I can’t. Royce’s solid delivery has always impressed me. And now he’s on a Preemo production… pshhhhh…  It’s easy enough to find so fuck a link.

Ghostface Killah – “36 Seasons”
As one of my favorite heads @__kurrby_puckit__ would say, “Wu’s 15 lb abortion” “A Better Tomorrow” was Wu Poo Poo.  So yeah, this was a breath of fresh air. And yet again proved why I love this mother fucker so God damn much yo. I’d place a link but again, y’all ain’t retarded.

Hassann Mackey & Kev Brown – “That Grit”
I can’t say enough good things about this.  The approach of this album between these two gave that gritty east coast shit we’ve been craving.  Check it HERE

1978ers – “People of Today”
All I’ll say is… DMV represent.  Support HERE

Run the Jewels – “Run the Jewels 2”
Alright this honestly had to grow on me.  It didn’t impact me the way the first one did. But honestly after a couple of spins… I like it.  I know a lot of heads that don’t like it.  I know a lot of heads that do.  So, you decide.  I rock with it.  Support HERE

Von Pea & The Other Guys – “To: You”
Tanya Morgan’s Von Pea & DMV’s The Other Guys come together for this fucking gem. I tried not to expect much out of albums lately. But this, this was beautifully constructed. I really think the DMV has been calling my name.  Support HERE

Brous One – “Beats, Beer & BBQ”
By ways of Santiago, Chili & now residing in Germany, Brous One gives us some of the illest shit I’ve heard in a while.  Fuck you if you don’t like it.  Support HERE

Epidemic & Tantu – “The Solution EP”
If you’re not on Epidemic by now get the fuck off my blog.  Seriously. Get the fuck off of here and never return.  Because they have been over saturated by every head on IG and well deserving of it.  So here we have Epidemic with Tantu’s melodic beats.  Just take it in fuckers.  Support HERE

String Theory – “String Theory”
Sweet baby Jesus in his little crib.  This project has to be my favorite from this year.  Like undoubtedly even though I said I wouldn’t rank them if I had two seconds to answer it would probably be this one.  And even though asshole out there are calling it an Epidemic album, it is actually the genius offspring from Epidemic’s HexOne & BBZ Darney.  Support HERE

Jiggy Tone & Funk Tous – “For the Record”
University of New Hampshire graduates Jiggy Tone & Funk Tous bring us the vinyl jazzy funk that heads like myself eat for every meal.  This album surprised me.  If you wanna peep, support HERE

Intention – “A Slow Separation”
California emcee Intention has been making small rumbles below the basement.  It’s not for everyone. Can be an acquired taste.  But definitely worth peeping.  Support HERE

John Robinson & PVD – “Modern Vintage”
John Robinson teams with infamous drummer/producer PVD for this organic Hip Hop album.  Peep and support HERE

Jazz Spastiks – “The Product”
Jazz Spastiks, two Scottish underground producers Coconut Delight & Mr. Manyana bring us a solid ass album yo.  These producers provided a phenomenal foundation for these emcees.  Also check out “The Product Remixes” that almost replaced this post for this piece.  Peep & support HERE

Lone Ninja – “Wave of Carnage”
Holy fuck man… this album.  If you’re not familiar with Lone Ninja, the Brooklyn emcee and member of Twin Perils with June Marx brings us an album produced exclusively by Texas producer JBL The Titan. I’m a serious fan girl of this album, deadass… go support HERE

Locksmith – “A Thousand Cuts”
Man, I’ve seen a few heads talk shit about Locksmith but this California emcee has been making waves for sometime with his freestyle talents.  Very lyrically inclined this emotional packed album hit some scars for me.  So it’s worth peeping… Support HERE

Diamond District – “March on Washington”
Joining together since 2009, DMV artists Oddisee, yU & X.O. bring us a solid album.  A lot of heads didn’t care for this.  But for me, after a few spins Oddisee’s production was able to sink in a I got the whole flow of this album.Also the recently released “Redux” album.  So go and support Mello Music Group’s artists HERE

uMaNg & B.B.Z. Darney – “The Black Rose Certificate”
Alright lets get this straight, one of my pet peeves is when heads don’t credit the producers.  Get your fucking facts straight and say it from yo chest.  But yes, this New Jersey emcee teams up again with Swedish producer B.B.Z. Darney once again to bring us this album.  Man Ill Adrenaline is bringing straight heat to the culture … Peep & Support HERE

J-Live – “Around the Sun”
Underground vet brings us his 10th album.  I don’t even need to go into this one.  Being an avid indie head you should already know of this man and his genius… Support HERE

DJ JS 1 – “It is What it Isn’t”
Holy fucking shit.  Holy fucking shit.  This album was one if I had a ranking list would be very high up there.  Shit got me doing the Harlem Shake as I type.  I’ve been a fan of JS 1 for as long as I can remember.  This amazing DJ & graffiti artist brings us this gem with a slew of amazing emcees.  Check it and support HERE

CunninLynguists – “Strange Journey Vol 3”
I’m seriously having another “holy fucking shit” moment.  Alright, anyone who knows me, you know I’m a complete fan girl for Kno. Not it a weird put your dick in my mouth way, but in a let me just sit with your collection and see you make beats kinda way.  But anyways, I’ve been a long standing fan and supporter of all QN5 artists and CunninLynguists didn’t disappoint with this.  I still spin it daily like the fan girl I am.  But I wrote a piece on this album so I’ll just leave this here… And go and support HERE

Dag Savage – “E&J”
Exile teams with California emcee Johaz to bring us this amazing album.  Most are familiar with the Dirty Science’s Exile’s production you were probably more than satisfied with this album.  And Johaz didn’t fail. Peep & support HERE

L’Orange – “Orchid Days”
A lot of people just were put on L’Orange this year.  I like seeing a good producer getting some shine. His sampling of a past era, this is truly a piece of art.  His “After the Flowers” EP released for free this year is also a gem.  Like, light some scented candles & touch yourself, 40 Year Old Virgin style.  Go & support HERE

Klaus Layer – “For the People Like Us”
If you aren’t familiar with Klaus Layer’s work please start now.  This album is still in regular roation.  Peep & Support HERE

Halfcut – “From Dungeons to Rooftops”
I can proudly say I was able to put a lot of heads onto this back in May when this was released.  Just discovering him myself, this is the kind of shit that stresses me out.  Knowing that there are amazing artists out there that I have yet to discover.  But that is the beautiful thing about our culture.  But anyways, I have nothing but amazing things to say about this humble yet amazing emcee.  Truly below the basement underground, this emcee is worth supporting.  Go check this and previous work from this emcee HERE

Fel Sweetenburg & DJ Brans – “The Invisible Garden”
This album fully produced by DJ Brans & emcee Fel Sweetenburg with cuts by DJ Brans was a beautifully constructed album coming from the Effiscienz camp.  Well worth a listen and one of my favorites this year.  Still in regular rotation.  Check it & support HERE

Soul Pete – “Soul Raw”
Soul Pete after two years quietly released this gem with a slew of indie artist.  Check it and support HERE

Tunnel Movement  – “Overlooked”
By ways of Chicago, Kwote1 & Noah being us a very dope album.  Peep & Support HERE

Your Old Droog – “Your Old Droog”
With assholes all over claiming he sounds like Nas, fuck yourselves but first peep & support that ol’ East coast shit HERE

Ivan Ave & Mndsgn – “Low Jams”
Ivan Ave by ways of Norway & LA Beat maker Mndsgn brought us “Low Jams” this year.  My old complaint: “Why the fuck only 4 joints son?”. Peep & Support HERE

Freddie Gibbs & Madlib – “Pinata”
Yeah, I wrote about this on here so…yeah.  Support HERE

Pete Flux & Parental – “Traveling Thought”
Emcee Pete Flux teams with producer Parental for this amazing piece of work.  I don’t feel like speaking too much on it.  I’d rather you embrace this yourselves. Support HERE

Skyzoo & Torae – “The Barrel Brothers”
I was kind of hesitant on this album at first.  You can read my piece on it on here.  So google that shit cause they aren’t that underground.  But still dope.

Sense One & ADBeats – “Natural Selection”
By ways of RI, this duo brings us that raw underground sound. Peep & Support HERE

Black Milk – “If There’s a Hell Below”
A lot of heads had mixed feelings about this album.  Personally, I dug it… so be the judge for yourself.  Support HERE

Hex One & 5th Element – “Hologramz”
I’ll wrap this bad boy up with an album that hasn’t even released yet.  Yup, I already know I’m going to love this so wait for it.



So there y’all go.  You might not like it.  You might have questions.  You might be like; “Well, what about ___?”.  If you have those, make your own damn list.  This is just shit that has stuck to me this year.  My present to you.  Merry Christmas fuckers.  I love y’all though.



“My Rebirth… My Wu-Tang”


So when I found out Wu Tang was going to be at the Brooklyn Bowl in Las Vegas, my first thought was, “Mannnn fuck all that noise, the Brooklyn Bowl is small as fuck! I’m not going to have some guy rub his weak ass boner on my ass.” But then my sister had some guy wanting to slip her the eggplant for a while that worked there and wanted to comp us for the show. So my reaction then became, “Oh fuck it, it’s free.” As the days progressed I still wasn’t that excited for it. I don’t know if the over-saturation of Wu Wednesday’s on IG or the fact that these broads are rocking Forever 21 Wu shirts; but I felt like maybe I have finally became desensitized from the group that once moved mountain for me. But when that cock sucker (who will never fuck my sister) never came through, it was the day before the last show. The moment of panic set in. I was holding onto the fact that I am one of the lucky ones who has seen Wu Tang all together including my ODB (RIP) enough times to let this one go. But then I just said fuck it and paid the rape price of $60 + a $22 convenience fee. I thought to myself, “Method Man better swing in on a rope with a Batman costume and land in my vagina for this price”. But whatever, I did it. And I’ll sadly report right now that Method Man didn’t land in my vagina.

So getting back to the fucking story yo, let me take you back and let you know… this is “My Rebirth … My Wu Tang”. I was lucky enough to experience this venue with an old school head like myself , we’ll call him DOOM guy. We arrived at the Brooklyn Bowl. We were there dumb early with the expectation that the Friday venue would’ve been crazy packed. Our age became very apparent when we were the first ones in line and right behind us was a couple over 30’s. It was pretty dope to vibe out with some people who understood what Wu Tang meant to us back in the days. We laughed and made jokes about the young people around us having no idea what the fuck it was like. We chopped it up with some of the bouncers. And even a LVMPD came up to us trying to “relate” by saying when he got this Wu Tang assignment that he thought it was an Asian band. Yeah, okay buddy, little did he know I have two blunts in my bra.

So getting into the venue, our age became even more apparent when dope old school shit began to be played. You can see the old heads dancing, singing, and bobbing their heads to this while the younger crowd stayed still with their heads in their phones. But as soon as something dope was played it was followed with some pop gum Nikki Minaj bullshit that made me sad. Very sad. Seriously, if Brooklyn Bowl is seeing this, fire that fucking DJ. That cunt is a fucking retard. Her lack of transition was fucking horrible. I would’ve been more entertained if she got on stage and began to do that ping pong ball trick everyone talks about. I could probably have gotten a random IPod from the crowd and have done a better job. That bitch deserves horrible things. I understand that it’s Vegas and you want to get everyone “turnt up” but come the fuck on. We stood dumbfounded. Shit made me bipolar son. I was dancing and singing one minute and wanting to slice my wrist the next. I’m just not used to that shit.

So eventually we became so fucking tired of the emotional roller coaster from the DJ we ended up standing there pissed the fuck off. Everything was irritating me. All I could do was tweet pissed off things and post videos of the stupid shit I was seeing around us. I needed to get blazed ASAP but it was impossible with LVMPD all around. We had to wait. But yes, I understand Wu is late. This isn’t my first fucking rodeo, but the shit around me made me realize why I stopped going to venues. If it wasn’t some girl there making out with her man;  it was some guy standing there like an asshole, with his asshole haircut, and his asshole plugs in his ears, and his asshole skinny jeans, with his asshole face.  Or  it was some molly’d up ass fucker dancing around like what? An assshole. With his asshole girlfriend. I fucking hate people sometimes.

Finally the opening band came on. Sure, it was dope. Some New Orleans jazz is always welcomed. But after the 3rd song we were over it. We wanted Wu. So we are again thrown into the barrage of dumb pop songs while we wait. As I’m standing there I realize no one really gives a fuck. Only DOOM guy and I were the ones around us like, “Yo no one notices how long it’s been? People will wait forever. Can you please at least play some fucking Wu Tang?” A few real Wu heads around us tried to start the “WU TANG! WU TANG!” chant with it only be make a small impact. We were out numbered. We were surrounded by the enemy. Fake heads. The assholes I spoke of. They’re were there in abundance. I felt like I was the only one screaming out for Wu Tang. DOOM guy had more patience than I did.

Then it came. Out of nowhere, each member started coming out. One by one. You want to know what that moment was like for me? It was like seeing Jesus rise from the tomb or wherever that nigga was at. It was like seeing a baby getting rescued from a burning building. It was like seeing my bank account with endless zeros. It was like seeing a baby panda being born and landing into the hands of ODB. It was everything good in this world. Everything that made me mad just suddenly disappeared. There was my Wu. The ones that made me fall in love with Hip Hop. The ones that changed my life. There they were. After so many years. Only a few feet away from us. Then my ass jumping up and down tried to see if somehow I missed Method Man. Y’all bitches need to understand that most of y’all loved this nigga when he went Hollywood. I loved this nigga at 12 years old when he had that chipped tooth and was a nappy headed n shit. My love for him is infinite. If you ask anyone in my family who I have loved almost my whole life, they will say Method Man. Anyways, I won’t lie seeing that Meth wasn’t there. It hurt … but only for a minute… Like anal sex. But I easily got over it.

I don’t care what people say. Wu still brings that shit. With their classics and other classic projects, they delivered that raw Hip Hop. That shit that gives you chills. It was easy to spot those who didn’t feel the Wu like we did. Where we were spitting lyrics verbatim other only came through from CREAM. But whatever I don’t give a fuck anymore. That shit was so fucking amazing. Like in that movie Ted, where they see Flash Gordon, this was our Flash Gordon. It was like motherfucking Christmas morning.

Then it happened. RZA began to shout out for people to represent their age group. As he went through the age groups, 18-20, 20-25, ect. I’m like damn son they aint going to show love to us or what? But like RZA’s ass read my mind he asked for anyone over 30. At this moment, usually I would get sad as fuck. Like, damn son, I’m getting old. But I was proud as fuck. We made crazy noise. Saying shit like, “That’s MY mothafuckin’ childhood!” and “That’s OUR shit!”. Because you know what? Fuck you. That is our shit. DOOM Guy hit the nail on the mother fucking head. I usually don’t like to pull the “Old school, pre-internet head” card but I’m about to waive that mother fucker. Cause yes, you love Wu. I’m happy you do. Cause every generation need to love music. It’s not going to stop me from listening to Miles Davis because I never was there. But Wu Tang. That is our shit. It’s what raised us. It molded us. It moved us. It became us. I’m talking to the generation born from 1984 and before. This was our shit. I’ll never forget the day my brother brought me 36 Chambers on wax. I was 12. Up until then all I listened to was records from my family, like salsa and classic rock, some jazz and some oldies. But as soon as I heard RZA shouting “Bring da motherfucking ruckus” and then Ghost coming with “Ghost catch the blast from hype verse” I was done. It was over. I immediately wanted nothing but Hip Hop. They made me the person I am today. It made me the person I was growing up. If it weren’t for the Wu, I would’ve been one of these fast ass little girls more concerned with partying and boys. Instead my life became Hip Hop. Graffiti and Hip Hop. I was obsessed. So yes, when someone says they love Wu Tang, and it’s okay to love them, but you will never love them like WE love them. Because unfortunately, you will never know what it was like to have them raise you in their prime. For you to be moved by them at that time. To imitate their style, verbiage, and just let them completely take over you at that young of an age.

But with being older, we see our heroes getting older. They don’t move as fast, they have slowed down, we never escape father time. But not matter what age, they still bring that ruckus. And they breathed new life into me again. Like reminding me why I do this. Why I’m here. Why the people in my life right now are here. To most in attendance, it was just a Wu show, but for me it was a spiritual awakening. What I needed to get my ass back into what I was born to do. So thank you again Wu. Without you, I don’t know what I would’ve been. You gave me the escape at the darkest times of my life. Your songs take me back to memories that I will always relive. I will never forget Septemember 19th, 2014. And even know we are all getting older. Grey hair, laugh lines, not understanding Bae and Yolo, we still not matter what age we’ll be at will always bring that mother fucking ruckus. Suuuuuuuu!



Rebecca – Live Elements

Me? Anti-Mainstream?

Zack Morris

In the almost two years I’ve had Instagram, I’ve gotten every bullshit comment about what I put up. Everything from, “You’re stuck in the 90’s” to “You’re so anti-mainstream it’s annoying”. First off, I hope someone is titty fucking your mother to the beat of a 2 Chainz song as you read this.

Where were we? Oh…yes…

In my defense, like most real Hip Hop supporters, I’d like to say that I support REAL Hip Hop. Sure, there are some dope as productions in the mainstream. Why? Cause they can pay talented producers to create these things.  Just look at “Magna Carta Holy Grail” (Release the Jay Z fan boys).  Sure, I like listening to catchy hooks and shit sometimes.  You know, at the mall but I won’t go out of my way for it.

But they ruin fine production by throwing some watered down nursery rhymes on it.  Like putting ketchup on filet mignon.   Speaking of condiments, let’s pull 2 Chainz away from fucking your mother to admire the lyrical content of one of his hits:

“Mustard, ketchup, I take pills, expert
Kitchen all pyrexed up, if my dick talked it’d say “next up” (dang)”

Then a lyric from the late Eyedea (Micheal Larsen):

“Empathy is the poor man’s cocaine And love is just a chemical by any other name”

Yes, two different styles, but if I had to write a college paper or have my child exposed to, which one would I chose?

Yeah, yeah.  I know we can’t go back blah blah.  But there was a time where corporate men who know NOTHING of out culture didn’t use the music we listen to to control the masses.  They don’t want people of the Hip Hop culture to expand their minds.  They want us to stay in this party era with Molly and funny dances.  I say fuck that shit and give me dope beats, stimulating lyrical content, and education for all.  

I don’t get paid to do this.  I work a 9-5 profession cause we call have to pimp the system.  But I go out of my way to try to promote and enlighten people of the real Hip Hop culture.  I don’t do it cause I think I’m the say all and know all of Hip Hop.  No, the beautiful thing about our culture is that we are always learning.  So to assume that I think I know it all, you are implying that I am closed minded.  

I can go on forever on this subject.  I may revisit at a later time but for now I feel like I made my point.

So next time you think I’m anti-mainstream.  I’ll so eloquently put that to remember that it’s my fucking shit and I’ll do whatever I want.  Peace.


“Hip Hop Heads”

If I can take all people who front on social media about Hip Hop, I’d line them up, and shoot them with a gun that would propel extra long dildos at their face. Seriously.


Scrolling through my feed on Instagram I find myself wandering aimlessly and ending up on someone’s page where they claim to be a “Hip Hop head”. Okay, that is a term that can be used very loosely. What determines what a Hip Hop head is? I don’t fucking know. But one thing I know for sure it you have to understand Hip Hop culture as a whole. Not just assume because you downloaded “Only Built 4 Cuban Linx” that you are suddenly a Hip Hop head. Or reposting something you saw on a Hip Hop page and claiming you have been listening to it since they came out. Really? How so if their first LP came out in 93 and your ass is 18?

The internet is polluted with these people. These chicks with more foundation and contouring than a drag queen. Colored contacts, extensions, cleavage and ass shots exposed on one post then the next you have Necro post? We get it, you’re cool with your vape pens and your MF DOOM poster. Oh J Dilla saved your life? That Wu Tang tattoo tho! So dope. I wish when I was your age I had the internet too! Like my girl Kay says, “Sit the fuck down and take off that Forever 21 purchased Wu shirt off!” Hold yourselves like the Gods and Earths that you truly should be and shut the fuck up and pick up a book.

What’s worse is that I have actually stopped going to venues because of the hipster fuck fest it has become. Take for instance Rock the Bells. I come from an era where Rock the Bells was truly a Hip Hop festival. I remember 2009 RTB was one of the best experiences of my life. The whole vibe of it was fucking ill. Then for shits and giggles (and cause I got free tickets) I went to RTB’s 2012. It was like stepping into the Twilight Zone. It became me weaving in and out of young Hip Hop groupies with too much Bath & Body Works lotion on ready to blow Immortal Technique and hipster fucks with too much Curve on.

What in titty fucking Christ happened? Where were my backpack heads in the middle of cyphers b-boys battling, and heads discussing new underground Hip Hop over blunts filled with the dopest Cali weed? I looked back at a friend of mine and asked, “WTF happened to this place?” But let’s not take away too much from this new generation. For we as the old school heads are kind of obligated to guide these young head in the culture. But finding these ones is like finding a relevant purpose for Waka Flaka’s existence.

There are some out there that truly have taken the Hip Hop culture and have kept it organic. Let’s just say this piece came from multiple convos with frustrated heads on Instagram. Some of you are the dopest people I have had the pleasure of meeting. You have put me on music, art, written work, etc. For that it makes me know for sure our culture is still alive and thriving.

So kids, moral of the story, stop being a fronting cunt and learn. If this piece hit a nerve, or offended you… you’re probably one of the ones we make fun of on DM’s…

Peace …